Church altar featuring homeless man goes on display a stone's throw from his grave at the Vatican
This story raises questions about governance, accountability, and American values.

In 2018, German artist Michael Triegel asked a homeless man in Rome to pose for a drawing, thinking that he would make an ideal model for St.
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ABC NewsHow We See It
New Republican Times Editorial Board
How We See It: Art or Exploitation?
The recent display of a church altar featuring a homeless man, just steps away from his grave at the Vatican, raises significant questions about intent and respect. While mainstream coverage often lauds this as a powerful commentary on compassion, it overlooks a critical concern: the dignity and humanity of the individual. Elevating someone's suffering to an artistic statement risks reducing that person's life to a mere prop in a larger narrative.
This presentation not only skews the intentions behind genuine outreach but also misses a fundamental principle: public trust in institutions. The church should be a sanctuary, not a gallery for art that could inadvertently exploit vulnerable populations. Instead of offering solutions to homelessness, it broadcasts a moral narrative that could detract from actionable change.
Ultimately, the issue at stake here is the sanctity of individual lives, deserving of more than just to be symbols in art. This calls for reflection on how we engage with social issues, ensuring we uplift, rather than objectify, those in need.
Commentary written with AI assistance by the New Republican Times Editorial Board.

